The book itself is meandering, as one that weaves together so many disparate threads is wont to be.
This zigzagging journey is framed by a single question: “How will you go about finding that thing the nature of which is totally unknown to you?” Solnit takes readers on a winding journey through time and space, through multiple parallel and intersecting histories-of native American guides and early explorers, of the westward push of the Gold Rush, of her own childhood, and of friends loved and lost. Of course, the unknowable is often better left that way, and embracing that uncertainty is the end to which Rebecca Solnit urges her readers in A FIELD GUIDE TO GETTING LOST. How convenient would it be to trace the unknown in this way, to know exactly whose path you’d crossed in a given day, week, or year-to know where your closest friends and worst enemies spent their most intimate hours? I began to lose interest midway through the series, finishing it only because of my driving (borderline OCD) need to always finish what I started.īut despite the premature extinguishment of my wizardry-related passion, there was one Potter concept that took hold of me: the mystical Marauder’s Map, which pinpointed everyone at Hogwarts in time and space for its lucky holder. In the literati community, this is a sacrilegious confession-but here it goes: I was just never that into Harry Potter.
“Losing things is about the familiar falling away, getting lost is about the unfamiliar appearing.”
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